Search results
Results From The WOW.Com Content Network
Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [2] Bakri Siregar wrote positively of Salah Asuhan, considering the diction unparalleled in its contemporaries and the characters well fleshed-out. [3]
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
Indonesian literature is a term grouping various genres of South-East Asian literature.. Indonesian literature can refer to literature produced in the Indonesian archipelago.
With the number of domestic film productions decreasing in the early 1990s, Ami left the cinema and began directing and acting for television, beginning with Salah Asuhan (Wrong Upbringing; 1994; as director [14]) and Pedang Keadilan (Sword of Justice; 1996). [2]
Two main themes are prevalent in the novel, namely forced marriage and marriage for love. Similar to Indonesian-language works published during the period, such as Marah Rusli's Sitti Nurbaya (1922) and Abdul Muis' Salah Asuhan (Wrong Upbringing; 1927), Nemoe Karma depicts forced marriages as ending unhappily.
Salah Asuhan (literally Wrong Upbringing, released internationally as The Misfit) is a 1972 film directed by Asrul Sani, produced by Andy Azhar, and starring Dicky Zulkarnaen, Ruth Pelupessy, and Rima Melati.
He had become a chairman of Dewan Perfilman Nasional (the National Film Board). After that, the situation of Indonesian cinema deteriorated. He then focused on writing screenplays for soap operas, adapted from Indonesian novels, such as Sitti Nurbaya, Salah Asuhan, and Sengsara Membawa Nikmat. [5] Sani died on 11 January 2004. [2]
Nurbaya confiding to her mother after Samsu's move to Batavia; she feared he no longer loved her. In Padang in the early 20th century Dutch East Indies, Samsulbahri and Sitti Nurbaya–children of rich noblemen Sultan Mahmud Syah and Baginda Sulaiman–are teenage neighbours, classmates, and childhood friends.