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Although their final album still appears to be in the name of the band, the album name, Linda Ronstadt, Stone Poneys and Friends, Vol. III was purposefully vague, without a specific artist's name. Even the two singles from the album were released under different names, though Linda Ronstadt now had the burden of the Capitol recording contract ...
Linda Maria Ronstadt was born in Tucson, Arizona on July 15, 1946, [27] the third of four children of Gilbert Ronstadt (1911–1995), a prosperous machinery merchant who ran the F. Ronstadt Co., [28] and Ruth Mary (née Copeman) Ronstadt (1914–1982), a homemaker.
Swampwater was an American country rock band, that formed and started out initially as Linda Ronstadt’s backing group in the late 1960s, soon after she went solo. They are famous for incorporating cajun and swamp rock elements into their music.
The albums discography of American singer Linda Ronstadt contains 29 studio albums, 37 compilation albums, one live album, one box set and two extended plays (EP's). Her first studio album was a dual credit with the Stone Poneys titled Linda Ronstadt, Stone Poneys and Friends, Vol. III (1968).
Linda Ronstadt began performing "You're No Good" to close her live shows in early 1973, after her band member Kenny Edwards suggested it. She first included it in her setlist while opening for Neil Young. Ronstadt gave an early televised performance of "You're No Good" on an episode of The Midnight Special, broadcast December 21, 1973.
Here are Linda Ronstadt's best songs ever, ranked. ... The result is a record so relentlessly contagious that any skinny-tie power-pop band of the era that says they didn't wish they'd done it ...
The singles discography of American singer Linda Ronstadt contains 80 lead and collaborative singles, four as a featured artist, eight promotional singles and eight other charted songs. Her first credited release was 1967's " Different Drum ", which also included the Stone Poneys along with Ronstadt as a featured artist.
The album was a major change in direction because Ronstadt was then considered the leading female vocalist in rock. [2] [3] [4] Both her record company and manager, Peter Asher, were very reluctant to produce this album with Ronstadt, but eventually her determination won them over and the albums exposed a whole new generation to the sounds of the pre-swing and swing eras. [5]