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From early the 1930s on, when Hazur was asked if he had a disciple who had made great progress, he cited Kirpal Singh. In the same years, on inspiration from his master, Kirpal began writing the "Gurmat Siddhant" ("The Philosophy of the Masters"), a two-volume spiritual work, in the Punjabi and Urdu languages.
Saya e Khuda e Zuljalal (a.k.a. SKZ, meaning Protection of Magnificent God) is a 2016 Pakistani action thriller war film/historical film patriotic film which explores Pakistan's history, beginning from its Independence in 1947 up to the present day. The film is directed by Umair Fazli & produced by Jehan Films and AR Productions.
Durj is a 2019 Pakistani Urdu-language mystery thriller film, written and directed by Shamoon Abbasi and produced by Dodi Khan.The film stars Shamoon Abbasi, Sherry Shah, Maira Khan, Dodi Khan, Nouman Javaid and Hafeez Ali. The film is based on true events and a large part of it is about cannibalism.
Abdul Aala, Qalb-e-Momin's grandfather, is a renowned calligrapher in Turkeye. He visits Qalb-e-Momin and asks him to reform his wayward life. His grandfather challenges him to make a movie about spirituality, and if that doesn't succeed, then he should come back to Turkey and teach calligraphy. He takes it easy at first but later becomes serious.
Na Maloom Afraad (lit.Unidentified People) is a 2014 Pakistani action comedy film co-written and directed by Nabeel Qureshi in his directorial debut. [3] It stars Javed Sheikh, Fahad Mustafa, Mohsin Abbas Haider with supporting cast of Urwa Hocane, Kubra Khan and Salman Shahid. [4]
The title Waar is an Urdu language word meaning "to strike." [10] Waar is primarily an English language film with some dialogue in Urdu. According to the producer, Hassan Waqas Rana, it was considered dubbing the movie in Urdu but the idea was dropped as it would have compromised the lead role played by Shaan Shahid.
The significance and eminence of the preaching work, as perceived by Zakariyya Kandhlawi, can be comprehended from the following statement: "The work of preaching being undertaken today is a profoundly noble undertaking, surpassing even the importance of a madrasa or a Khanqah." [10]
Pakistani feminists are usually concerned about depiction of women in Pakistani drama TV serials, they receive many of those with skepticism & reservation. [11] [12] UK based Pakistani feminist Tasneem Ahmar, whose research institute focuses on the women-media relationships, complaints 99.99% of TV drama in Pakistan is misogynist, patriarchal medieval in its depiction and treatment of women ...