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The Sailor's Hornpipe (also known as The College Hornpipe and Jack's the Lad [1]) is a traditional hornpipe melody and linked dance with origins in the Royal Navy. [ 2 ] History
The march contains snippets of "The Sailor's Hornpipe", "A Life on the Ocean Wave", and "Rule Britannia". The Standard of St George (1930) – Inspired by watching Trooping the Colour at Horse Guards Parade. This march was actually featured in the concert programs of the Band of the Royal Marines Depot, Deal, before it was published.
The dance is done in hard shoes. Perhaps the best known example is the "Sailors' Hornpipe". There are two basic types of common-time hornpipe, ones like the "Sailors' Hornpipe", moving in even notes, sometimes notated in 2 2, moving a little slower than a reel, and ones like "The Harvest Home", moving in dotted notes. Some 19th-century examples ...
The Fantasia on British Sea Songs was first performed by Henry Wood and the Queen's Hall Orchestra at a Promenade Concert on 21 October 1905. [1] [2] It comprises nine parts which follow the course of the Battle of Trafalgar from the point of view of a British sailor, starting with the call to arms, progressing through the death of a comrade, thoughts of home, and ending with a victorious ...
The sailor's life is bold and free, His home is on the rolling sea; And never heart more true or brave, Than his who launches on the wave; Afar he speeds in distant climes to roam, With jocund song he rides the sparkling foam. Then here's to the sailor, and here's to the hearts so true, Who will think of him upon the waters blue! (Repeat Chorus ...
The man’s name is Tim, or Timmy, Cappello, and at age 68 he’s still baring his biceps, blowing that sax, and rocking the heavy-metal neck-chains. Of course, they’re not the same chains from ...
Rawsthorne's compositions and arrangements are found in many contemporary collections of organ music. His Hornpipe Humoresque is an amusing set of variations on the familiar Sailor's Hornpipe, in the styles of Bach (Brandenburg Concerto No. 3, 1st movement), Vivaldi ("Spring," 1st movement, from The Four Seasons), Arne (Rule Britannia) and Widor ("Toccata" from Symphony for Organ No. 5).
Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...