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Scottish Luckenbooth brooches dating from the 18th to 20th centuries. A Luckenbooth brooch is a Scottish heart-shaped brooch.These brooches often have a crown above one heart, or two intertwined hearts.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Jewellery (or jewelry in American English) consists of decorative items worn for personal adornment such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes.
Although most victims of the witch trials in early modern Scotland were women, some men were executed as warlocks. [9] [10] [11]In his day, the Scottish mathematician John Napier (1550–1617) was often perceived as a warlock or magician because of his interests in divination and the occult, though his establishment position likely kept him from being prosecuted.
Raymond Buckland (31 August 1934 – 27 September 2017), whose craft name was Robat, was an English writer on the subject of Wicca and the occult, and a significant figure in the history of Wicca, of which he was a high priest in both the Gardnerian and Seax-Wica traditions.