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The clarinet is widely used as a solo instrument. The clarinet evolved later than other orchestral woodwind instruments, leaving solo repertoire from the Classical period onward, but few works from the Baroque era. Many clarinet concertos and clarinet sonatas have been written to showcase the instrument, for example those by Mozart and Weber. [95]
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
The mock trumpet predated the chalumeau and may be one of the primary predecessors of both the chalumeau and clarinet. [4] A similar instrument called the xaphoon (also called "Maui bamboo sax" or "pocket sax") was developed by Hawaiian craftsman Brian Wittman. A similar instrument called the venova was created and sold by Yamaha Corporation in ...
Clarinet. Piccolo (or sopranino, or octave) clarinet; Sopranino clarinet (including E-flat clarinet) Soprano clarinet; Saxonette; Basset clarinet; Clarinette d'amour; Basset horn; Alto clarinet; Bass clarinet; Contra-alto clarinet (E♭ contrabass clarinet) Contrabass clarinet; Octocontra-alto clarinet; Octocontrabass clarinet; Diplica ; Double ...
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli ...
An increasing number of new carillons have been installed in concert pitch as a result of the desire to establish the carillon as a full-fledged concert instrument. [3] Celesta: C 5: Clarinet A ♭ clarinet: A ♭ 4: E ♭ clarinet: E ♭ 4: D clarinet: D 4: B soprano clarinet: B 3: B ♭ clarinet: B ♭ 3: A soprano clarinet: A 3: Basset ...
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
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