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"The Stars and Stripes Forever" is considered Sousa's most famous composition. [3] A British journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II. [4] However, not all of Sousa's marches had the same level of public appeal. [2] Some of his early marches are lesser known and rarely performed. [2]
The film's title is taken from Sousa's "The Stars and Stripes Forever", which has become the best known of his military marches. [2] The film was released twenty years after Sousa's death. While the film's storyline is loosely based on Sousa's autobiography Marching Along , the film takes considerable liberties and dramatic license, often ...
Songs of Grace and Glory (1892) The Salute of the Nations (1893) Rose, Thistle and Shamrock (1901) In the Realm of the Dance (1902) A Day at Great Lakes (1915) On the 5:15 (1916) In Pulpit and Pew (1917) A Study in Rhythms (1920) An Old-Fashioned Girl (1922) Music of the Minute (1922) The Merry-Merry Chorus (1923) On With The Dance (1923)
The opening strain of the march is famous and familiar to many. Typically, the march is played at a tempo of 110 to 120 beats per minute, rarely any faster. March enthusiasts have argued that the trio sections' mellow and moving phrases are among Sousa's most musical. Six sudden eighth notes move the melody along.
Sousa retired from touring in 1931 and died a year later, on March 6, 1932. By that time, popular musical tastes had passed him by. Americans were into swing music now.
Most march composers were from the United States or Europe. Publishing new march music was most popular during the late 19th and early 20th centuries; sponsors of the genre began to diminish after that time. Following is a list of march music composers whose marches are still performed in the United States. Russell Alexander (1877–1915)
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Following the XYZ project, Page was asked by his London neighbour, movie director Michael Winner, to record a soundtrack for the film Death Wish II in late August 1981. Page was given a deadline of a few weeks to write and record the album at his personal studio The Sol and to travel on location to Los Angeles with Winner for songwriting themes.