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The majority of these videos in the Billion-View Club have been commercial music videos by popular artists, but the list has included oddities, typically programs aimed at children. Such videos include two episodes of the Russian animated cartoon Masha and the Bear, a version of "The Wheels on the Bus" by the British animation studio Little ...
The concept of metre in music derives in large part from the poetic metre of song and includes not only the basic rhythm of the foot, pulse-group or figure used but also the rhythmic or formal arrangement of such figures into musical phrases (lines, couplets) and of such phrases into melodies, passages or sections (stanzas, verses) to give what ...
Merton is an American YouTube musician and personality who first gained press attention in March 2010 after making videos of himself interacting with people he met on Chatroulette and Omegle. In the videos, Merton sits at a piano and improvises songs about either his observations of the people he is meeting or story ideas suggested by them.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
"The Metre" and "Waiting for the Sun" are two songs released together as a double A-Side single by Powderfinger in support of their fourth studio album Odyssey Number Five. It was released on 27 June 2001 as the album's final single. "The Metre" and "Waiting for the Sun" both had music videos produced.
A technique in which a rhythmic pattern is superposed on another, heterometrically, and then supersedes it and becomes the basic metre. Usually, such time signatures are mutually prime, e.g., 4 4 and 3 8, and so have no common divisors. Thus the change of the basic metre decisively alters the numerical content of the beat, but the minimal ...
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 or 9 in the upper figure of the time signature, with 3 4, 3 8 and 9 8 being the most common examples. In these signatures, beats form groups of three, establishing a triple meter feel ...
Five of Holst's settings of English translations of hymns from the ancient Sanskrit Rig Veda, composed between 1907 and 1912, are in septuple meter, specifically "Song of the Frogs" and "Creation" (songs 6 and 8 from his Hymns from the Rig Veda, Op. 24, for voice and piano, composed in 1907–08) [36] as well as "Funeral Hymn" (Choral Hymns ...