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Marc Moreland (January 8, 1958 – March 13, 2002) was an American rock musician. He was the former guitarist for rock band Wall of Voodoo , punk band The Skulls , and rock bands Pretty and Twisted and Department of Crooks.
In 1977, with the addition of Skulls members Bruce Moreland (Marc Moreland's brother) as bassist and Chas T. Gray as keyboardist, along with Joe Nanini, who had been the drummer for the Bags, the Eyes, and Black Randy and the Metrosquad, the first lineup of the band was born, [3] named Wall of Voodoo before their first show in reference to a ...
Napolitano mentioned in her book Rough Mix that the song was written about her relationship with Marc Moreland of the band Wall of Voodoo. In a 2013 interview with SongFacts' Dan MacIntosh, Napolitano described the process for writing "Joey" as starting with a wordless melody, to which lyrics were eventually added. [1]
Marc Moreland (Wall of Voodoo, The Skulls) Chino Moreno ; Ruthie Morris ; Sterling Morrison (The Velvet Underground) Steve Morse (Dixie Dregs, Kansas, Deep Purple) Howard Moss; Jason Moss (Cherry Poppin' Daddies) Bob Mothersbaugh ; Bob Mould (Hüsker Dü) Xavier Moyano; Jason Mraz; Alonso Mudarra; Maury Muehleisen; Cameron Muncey ; Billy Mure
The album was first issued on CD by A&M Records in 1992. [6] In 2009, Australian label Raven Records reissued Dark Continent and the second Wall of Voodoo album, Call of the West, together on one CD, featuring a full color booklet with liner notes by Ian McFarlane.
Johnette Napolitano joined Marc Moreland and Danny Montgomery to form Pretty & Twisted in 1995. [13] Their self-titled debut, Pretty & Twisted, was produced by Napolitano and released on Warner Brother Records, Inc. The track listing for the album was: "The Highs Are Too High" – 6:10 "Mother of Pearl" – 5:05 (Bryan Ferry) "Souvenir" – 5:09
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Spin said the song, "rolls in innocently enough with the twangy, giddy-up guitar of Marc Moreland. Then a thundering bass beat from Bruce Moreland stomps in and Prieboy starts ranting like John Hinckley-as-Marlboro Man. He sets the mood as he takes the role of the psychopathic poet with a crush on a celebrity." [4]