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Kazaa Media Desktop (/ k ə ˈ z ɑː / ka-ZAH) [1] (once stylized as "KaZaA", but later usually written "Kazaa") was a peer-to-peer file sharing application using the FastTrack protocol licensed by Joltid Ltd. and operated as Kazaa by Sharman Networks.
For example, in the case of Swiss-German file hosting service RapidShare, in 2010 the US government's congressional international anti-infringement caucus declared the site a "notorious illegal site", claiming that the site was "overwhelmingly used for the global exchange of illegal movies, music and other copyrighted works". [1]
There is a common practice of providing a link to legal notices at the bottom of the main web page of a site. [21] It may be prudent, though it is not required by the provisions of section 512 of the copyright law, to include the designated agent information on the page the legal link goes to, in addition to any other places where it is available.
The Universal Music Group and other music labels won a $1.92 million judgment against a Minnesota woman who illegally shared 80 songs with other users over Kazaa, the popular online file-sharing ...
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment.
So perhaps it shouldn't surprise us that four out of five digital music downloads are. When we want new music, there's a strong temptation to get it for free through file sharing, ripping it from ...
OSPs must adhere to and qualify for certain prescribed safe harbor guidelines and promptly block access to alleged infringing material (or remove such material from their systems) when they receive notification of an infringement claim from a copyright holder or the copyright holder's agent (a "notice and takedown" process). OCILLA also ...
For example, the music industry has argued that P2P has reduced sales, and hence investments in the industry's production of new music recordings. Proposals for more vigorous enforcement of copyright laws against individual users may affect copynorms, although both the direction and magnitude are uncertain.