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Loosely based on the copyrighted novel by Nelson Algren, though Algren at least once disowned the film due to substantial changes from the source material [83] [84] and never followed through on his legal effort to claim a copyright due to lack of funds. [85] Maniac: 1934: Dwain Esper: Roadshow Attractions [data missing] [data missing] [86]
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Christian Film Database's top 100; CinemaScore "A+" films & "F" films; Classic 100 Music in the Movies; 50 Documentaries to See Before You Die; IDA top 25 documentaries; Bibliotheca Alexandrina's 100 Greatest Egyptian Films; Cahiers du Cinéma's Annual Top 10 Lists; BBC's 100 Greatest Films of the 21st Century; List of the 100 Italian films to ...
Scary Movie: 2000 Scary Movie 2: 2001 Scary Movie 3: 2003 Scary Movie 4: 2006 Scary Movie 5: 2013 Schalcken the Painter: 1979 United Kingdom School Spirit: 1985 Scooby-Doo: 2002 Scooby-Doo! and the Goblin King: 2008 Scooby-Doo! and the Legend of the Vampire: 2003 Scooby-Doo! and the Loch Ness Monster: 2004 Scooby-Doo! and the Witch's Ghost ...
Tubi (stylized as tubi) is an American ad-supported streaming television service owned by Fox Corporation since 2020. [2] [3] The service was launched on April 1, 2014, and is based in Los Angeles, California.
The Human Centipede 2 (Full Sequence) is a 2011 psychological body horror film [4] written, directed, and co-produced by Tom Six.An international co-production of the Netherlands and the United States, and the sequel to Six's 2009 film The Human Centipede (First Sequence), the film stars Laurence R. Harvey as a psychiatrically and intellectually impaired English man who watches and becomes ...
Night of the Living Dead is a zombie horror media franchise created by George A. Romero beginning with the 1968 film Night of the Living Dead, directed by Romero and cowritten with John A. Russo. The franchise predominantly centers on different groups of people attempting to survive during the outbreak and evolution of a zombie apocalypse .
Video nasty is a colloquial term popularised [1] by the National Viewers' and Listeners' Association (NVALA) in the United Kingdom to refer to a number of films, typically low-budget horror or exploitation films, distributed on video cassette in the early 1980s that were criticised by the press, social commentators, and various religious organisations for their violent content.