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A cantata (/ k æ n ˈ t ɑː t ə /; Italian: [kanˈtaːta]; literally "sung", past participle feminine singular of the Italian verb cantare, "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
Non sa che sia dolore (He knows not what sorrow is), BWV 209, [a] is a secular cantata composed by Johann Sebastian Bach and possibly first performed in Leipzig in 1747. [1] With Amore Traditore , it is one of the composer's only two settings of a text in Italian.
Italian term Literal translation Definition Bel canto: beautiful singing: Any fine singing, esp. that popular in 18th- and 19th-century Italian opera Bravura: skill: A performance of extraordinary virtuosity Bravo: skillful: A cry of congratulation to a male singer or performer. (Masc. pl. bravi; fem. sing. brava; fem. pl. brave.)
Sometimes other-language equivalents are used for libretti in that language, livret for French works, Textbuch for German and libreto for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot.
Tra le fiamme (Il consiglio) (HWV 170) is a dramatic secular cantata for soprano and instruments written by George Frideric Handel in 1707. Other catalogues of Handel's music have referred to the work as HG liiB,66; and HHA v/5,55. [1] The title of the cantata translates as "In flames (Counsel)".
Wir danken dir, Gott, wir danken dir (We thank you, God, we thank you), [1] BWV 29, is a sacred cantata by Johann Sebastian Bach.He composed it in Leipzig in 1731 for Ratswechsel, the annual inauguration of a new town council, and first performed it on 27 August of that year.
Bach's earliest cantatas are church cantatas, although his early Wedding Quodlibet is sometimes grouped with the secular cantatas. [11] [12] The oldest extant secular cantata is from his Weimar period where he composed the Hunting Cantata (BWV 208, first version) for the birthday of Christian, Duke of Saxe-Weissenfels on 23 February 1713.
Gnecchi was the son of a wealthy industrialist. Thanks to his solid financial position, he was able to take private lessons, and had among his teachers Michele Saladino (who was also the teacher of Pietro Mascagni and Victor de Sabata), Tullio Serafin, Gaetano Coronaro and Carlo Gatti.