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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
In Dogon mythology, the fox [1] is reported to be either the trickster god of the desert, who embodies chaos [2] or a messenger for the gods. [3]There is a Tswana riddle that says that "Phokoje go tsela o dithetsenya [Only the muddy fox lives] meaning that, in a philosophical sense, 'only an active person who does not mind getting muddy gets to progress in life.'
The spiritual meaning behind seeing a grey fox is far different than when seeing a red one. Mello's take on the spiritual meaning of a gray fox is that it "represent[s] our need for isolation and ...
The Hedgehog and the Fox is an essay by philosopher Isaiah Berlin that was published as a book in 1953. It was one of his most popular essays with the general public. However, Berlin said, "I meant it as a kind of enjoyable intellectual game, but it was taken se
Old fox (Persian: روباه پیر, romanized: rubâh-e pir) is a term used by some Iranians to describe the United Kingdom. [ 1 ] [ 2 ] [ 3 ] Seyyed Ahmad Adib Pishavari is thought to have been the first to use the term in this context.
The character of Baldrick has become popularly associated with the comedic catch phrase "I have a cunning plan." [2] The "cunning plans" in question are dreamed up by Baldrick as a solution to a particular problem or crisis and are usually ridiculed scathingly by Blackadder for their implausibility, but Blackadder frequently resorts to using these plans when the situation becomes desperate.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
The saying 'The fox and the crane entertain each other' had come to mean that tricksters look out for their own advantage, so the two are pictured at the centre of the painting seated before their preferred receptacle. The story's popularity was further assured after it appeared in La Fontaine's Fables (I.18). [7]