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Edward Bawden, CBE RA (10 March 1903 – 21 November 1989) was an English painter, illustrator and graphic artist, known for his prints, book covers, posters, and garden metalwork furniture. Bawden taught at the Royal College of Art , where he had been a student, worked as a commercial artist and served as a war artist in World War II .
Barnett Freedman goes wassailing in his lithographic Christmas card of 1953, Edward Bawden’s linocut lion rampages through the presents and Mark Hearld’s hand-coloured winter thrush rings the round robin changes. There’s a bookmark-shaped Christmas card by Enid Marx wishing recipients not Merry Christmas, but a Happy New Year.
Edward Bawden, who with his friend Eric Ravilious discovered Great Bardfield and became a key figure in the local artists' scene, is well represented in the Fry Art Gallery collection through linocuts, watercolours, posters, ceramics, books, scrapbooks and other printed material. The gallery holds watercolours by Ravilious, plus lithographs ...
New work by Lulu Guinness, Rob Ryan and Angie Lewin sits side-by-side with pieces by Edward Bawden.
May, woodcut of the Long Man of Wilmington by Eric Ravilious Edward Bawden's Dunkirk – Embarkation of Wounded, May 1940 Imperial War Museum. The Great Bardfield Artists were a community of artists who lived in Great Bardfield, a village in north west Essex, England, during the middle years of the 20th century.
Richard Bawden (18 March 1936 – 31 May 2024) was an English painter, printmaker and designer with a graphic, linear quality. His work includes book illustration, murals, etched glass church windows and doors, posters, mosaic and furniture.
Edward Ardizzone CBE RA, 1900–1979. [31] Edward Bawden RA, 1903–1989. [32] Stephen Bone 1904–1958; David Bomberg 1890–1957; Henry Carr RA, 1894–1970; Graham Barry Clilverd, 1883–1978; Leslie Cole, 1910–1976; Charles Cundall, 1890–1971; Evelyn Mary Dunbar; Richard Eurich, 1903–1989. Barnett Freedman; Ethel Gabain, 1882–1950 ...
Decoration was largely in the hands of Harold Curwen who encouraged artists such as Claud Lovat Fraser, Paul Nash, and latterly Eric Ravilious, Edward Bawden, Barnett Freedman and Enid Marx, from the same year of the Royal College of Art, to undertake work for the Press. [7]