Search results
Results From The WOW.Com Content Network
The Jazz Age (1929) is a sound part-talkie film starring Douglas Fairbanks Jr., Marceline Day, and Joel McCrea in his first leading role. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles.
The Telegraph Trail is a 1933 American pre-Code Western film directed by Tenny Wright and starring John Wayne and Frank McHugh. [1] The film also starred stuntman Yakima Canutt as Indian Chief High Wolf, Marceline Day as the heroine, and Duke the Wonder Horse as John Wayne's trusty steed.
Sunny Skies is a 1930 American Pre-Code musical comedy film directed by Norman Taurog, starring Benny Rubin and Marceline Day and produced by Tiffany Pictures. [1] It is notable for a same-sex romantic subplot, involving a young man's tragically unrequited love for his football hero roommate.
The film devotes itself entirely to a celebration and exhaustive analysis of Morricone’s music — it’s a portrait of the artist as virtuoso soundtrack renegade.
Princess Bonnibel Bubblegum (also called Bonnie or PB, occasionally Peebles or P-bubs) [4] [5] is a fictional character in the American animated television series Adventure Time and resulting franchise, created by Pendleton Ward.
The decision to use other artists covering Beatles music was made by the film's producers after they realised additional money could be made through a soundtrack album. [citation needed] (The soundtrack actually generated more revenue than the film.) The album was released on 25 October 1976, and the film was released on 11 November 1976. [17]
La Marche de l'Empereur (soundtrack) Michael Jackson's This Is It (album) Middle of the Moment (soundtrack) Modulations: Cinema for the Ear; Moog (film) More than a Game (soundtrack) Music from The American Epic Sessions: Original Motion Picture Soundtrack; Music from The Body
The live performances are known as “The Sounds of Science.” The program debuted in 2001 at the San Francisco Film Festival. The entire score has been performed approximately twelve times. The band had not heard of Painlevé before being asked to work on the project nor did the band view the films much before writing the music. [5]