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Stephen Lovekin/Shutterstock The bright side. Dolly Parton has somewhat of a thing for butterflies. They’re on her Scent From Above perfume bottle, in the titles of her songs and, apparently, on ...
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Butterfly_Tattoo&oldid=1029049104"
Blackout tattoos may also be used as a background for color or black-on-black patterns and designs. [25] In some cases, designs in white ink are placed on top of blackout tattoos after they have healed to create visual contrast. [26] Scarification is sometimes used on top of blackout tattoos. This provides a similar effect to white ink tattoos ...
Typically, black-and-gray tattoo work is produced by diluting the black ink with distilled water in varying proportions to create a "wash" that results in lighter shades. [8] [9] Gray shades can also be produced by mixing small amounts of black ink with white ink, which produces a thicker but brighter result and requires a slower application. [9]
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The tattoo art was a sacred marker of identity among the Māori and also referred to as a vehicle for storing one's tapu, or spiritual being, in the afterlife. [98] One practice was after death to preserve the skin-covered skull known as Toi moko or mokomokai. In the period of early contact between Māori and Europeans these heads were traded ...
The Dutch production company Dynamic Entertainment DEH optioned the rights to adapt The Butterfly Tattoo as a motion picture and Phil Hawkins, became attached to direct the film in early 2007. Children's writer Stephen Potts adapted the story for the screen and auditions were held across the country to find the young cast.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.