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"Behind Blue Eyes" is a song by English rock band the Who. ... Vessel of Hatred's live action trailer, pop singer Camila Cabello covers Behind Blue Eyes, ...
"Behind Blue Eyes" featured three-part harmony by Daltrey, Townshend, and Entwistle and was written for the main antagonist in Lifehouse, Jumbo. Moon, uncharacteristically, did not appear on the first half of the track, which was later described by Who biographer Dave Marsh as "the longest time Keith Moon was still in his entire life."
Results May Vary is the fourth studio album by American nu metal band Limp Bizkit, released on September 23, 2003, through Flip and Interscope Records.It is the band's only release under the sole-leadership of vocalist Fred Durst after the temporary departure of guitarist Wes Borland, who left in 2001.
Under Durst's sole leadership, the album encompassed a variety of styles [49] and featured a cover of the Who's "Behind Blue Eyes", which differed from the original's arrangement in its inclusion of a Speak & Spell during the song's bridge. [47]
"Behind Blue Eyes" – Recorded at Civic Auditorium, San Francisco, California, 13 December 1971 – 4:36 "Bargain" – Recorded at Civic Auditorium, San Francisco, California, 13 December 1971 – 6:41 "Baby Don't You Do It" (Holland-Dozier-Holland) – Recorded at Civic Auditorium, San Francisco, California, 13 December 1971 – 6:17
Lifehouse is an unfinished science fiction rock opera by the Who intended as a follow-up to Tommy.It was abandoned as a rock opera in favour of creating the traditional rock album Who's Next, though its songs would appear on various albums and singles by the Who, as well as Pete Townshend 's solo albums. [1]
"Going Mobile" is one of the lighter moments on Who's Next. [1] It was originally conceived as part of Townshend's abandoned Lifehouse project. [1] [2] Townshend described the use of the song in the proposed project as follows: "As the story unfolded, because of the vagaries of the modern world, because of pollution being caused mainly by people's need to travel, to be somewhere else.
In 2012, Paste ranked the song number four on their list of the 20 greatest The Who songs, [13] and in 2022, Rolling Stone ranked the song number two on their list of the 50 greatest The Who songs, behind only "Won't Get Fooled Again".