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Distinguished by its balanced use of clean lines and comfortable furnishings, the style represents a deliberate fusion of historical and modern aesthetics. The approach typically features neutral color schemes built around whites, creams, and grays, with visual interest created through varied textures rather than bold patterns or ornate details.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
While master-planned housing estates are indistinguishable from those in other states, many custom-built homes are designed in a more modern version of the Queenslander style, particularly holiday houses in coastal areas. Many Queenslander-style homes are being removed/relocated to save them from demolition when the land is being developed.
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A $1 million modern spin on a Victorian farmhouse is available in ... The exterior design was culled from a living repository of preserved late 19th and early 20th century residential architecture ...
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue ...
Home in the Queenslander style. Australian residential architectural styles have evolved significantly over time, from the early days of structures made from relatively cheap and imported corrugated iron (which can still be seen in the roofing of historic homes) to more sophisticated styles borrowed from other countries, such as the California bungalow from the United States, the Georgian ...
The design of the scallop shell back for chairs is associated with the designer Francis Cleyn who worked in England from the 1620s. [2] Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [ 3 ] and the same idea of decoration peeps out in fan-like frills ...