Search results
Results From The WOW.Com Content Network
Kottarakkara, also known in the ancient days of the kings as the Elayadathu Swarupam, was a principality ruled by a branch of the Travancore Royal Family. It is the home of Kathakali, a well known dance drama which originated initially as Ramanattam created in the 17th century by Prince Kottarakkara Thampuran and later patronized by the Raja of Kottarakkara in the early 19th century absorbing ...
Kathakali (IAST: Kathakaḷi pronunciation ⓘ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Indian theatre. It is a play of verses. It is a play of verses. These Verses called Kathakali literature or Attakatha .
The institution of Kathakali gained in progress and richness during the time of the Raja of Kottayam, between 1665 AD and 1725 AD. The then-raja of Kottayam was a brilliant actor-dancer who structured several compositions to complete the transition of Kathakali from its earlier form, Ramanattam , developed by Kottarakkara Thampuran.
Kottarathil Sankunni (born Vasudevan, 1855–1937) was an Indian writer of Malayalam literature.Best known as the author of Aithihyamala, an eight-volume compilation of century-old legends about Kerala, [1] Sankunni's writings cover prose and poetry, including verses for Kathakali and Ottan Thullal.
Kathakali is a dance-drama which portrays scenes from Sanskrit epics or stories. [48] The dance drama was historically performed exclusively by Nairs [ 49 ] [ 50 ] and had always traditionally been associated with them; Nair rulers and chiefs had patronized the art, the first Ramanattam plays were written by a Nair from a ruling family, and ...
Kathakali performances are a part of Onam tradition. [57] Kathakali dance is also commonly performed during this time, with dancers enacting characters from the various Ancient Indian legends. [58] A famous venue for this is at Valluvanad which is associated with the growth of Kathakali, [59] and Cheruthuruthy, where Kerala Kalamandalam is located.
Pillai composed four Kathakali attakathas - Nizhalkuttu, Bhadrakali Vijayam, Paduka Attabhishekam and Sankaravijayam - succeeding in radically changing and popularising the art form. [1] Nizhalkuthu was enacted in temples and was a daring experiment, with two unheroic rustic characters, the ‘Malayan' and ‘Malayathi’, when convention ...
On the 25th of the Tamil month 'Adi' of 937 ME (1761 AD) [clarification needed] the Raja of Cochin read the terms of their treaty and solemnly swore to abide by its terms, in the presence of the Deity Sthanumoorthy of Suchindrum Temple near Cape Commorin, the ministers of the two kingdoms and the spiritual authorities also being present and the ...