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There is also an example of a triskele on a stone fragment discovered in Gloucestershire that, as of 2023, is held by the British Museum and thought to date from between the Neolithic period and Bronze Age. [16] The triskelion was a motif in the art of the Iron Age Celtic La Tène culture. [17]
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's "Elegy Written in a Country Churchyard", Thomas Parnell's "Night-Piece on Death", Robert Blair's The Grave and Edward Young's Night-Thoughts. At its broadest, it can describe a host of poetry and prose works popular in the early and mid-eighteenth century.
This, Sorley's last poem, was recovered from his kit after his death. It was untitled, and so is commonly known by its incipit , or other titles. It is generally interpreted as a rebuttal to Rupert Brooke 's 1915 sonnet " The Soldier .", [ 2 ] which begins "If I should die, think only this of me: / That there's some corner of a foreign field ...
And death shall have no dominion" is a poem written by Welsh poet Dylan Thomas (1914–1953). The title comes from St. Paul 's epistle to the Romans (6:9): "Christ being raised from the dead dieth no more; death hath no dominion over him."
He freely translated works from German, Turkish, Persian, Arabic, and Irish, with his translations of Goethe gaining special interest. Starting around 1840, and with increasing frequency after the Great Famine began, he wrote patriotic poems, such as A Vision of Connaught in the Thirteenth Century. Mangan was troubled, eccentric, and an alcoholic.
The poems of Ossian and Related Works. Edinburgh: Edinburgh University Press. p. 573. ISBN 0-7486-0707-2. Gaskill, Howard (2002). The Reception of Ossian in Europe. Continuum International Publishing Group – Athlone. p. 400. ISBN 0-485-80504-9. Stafford, Fiona J. (1988). The Sublime Savage: A Study of James Macpherson and The poems of Ossian ...
The poem occurs as part of the entry for 1036 in manuscripts C and D of the Chronicle, [2]: 31 which begins in prose: . Her com Ælfred, se unsceððiga æþeling, Æþelrædes sunu cinges, hider inn and wolde to his meder, þe on Wincestre sæt, ac hit him ne geþafode Godwine eorl, ne ec oþre men þe mycel mihton wealdan, forðan hit hleoðrode þa swiðe toward Haraldes, þeh hit unriht wære.