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"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
"The Solitary Reaper" is a lyric poem by English Romantic poet William Wordsworth, and one of his best-known works. [1] The poem was inspired by his and his sister Dorothy's stay at the village of Strathyre in the parish of Balquhidder in Scotland in September 1803. [2] "The Solitary Reaper" is one of Wordsworth's most famous post-Lyrical ...
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
Kamala Das was a confessional poet whose poems have often been considered at par with those of Anne Sexton, Robert Lowell and Sylvia Plath. Kamala Das' first book of poetry, Summer in Calcutta was a breath of fresh air in Indian English poetry. She wrote chiefly of love, betrayal, and the consequent anguish.
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
[143] In 1968, Herbert Starr pointed out that the poem was "frequently referred to, with some truth, as the best known poem in the English language." [144] During the 1970s, some critics pointed out how the lines of the poems were memorable and popular while others emphasised the poem's place in the greater tradition of English poetry. W. K.
This poem marks the introduction into an English context of the classical pastoral, a mode of poetry that assumes an aristocratic audience with a certain kind of attitude to the land and peasants. The explorations of love found in the sonnets of William Shakespeare and the poetry of Walter Raleigh and others also implies a courtly audience.
All poetry was originally oral, it was sung or chanted; poetic form as we know it is an abstraction therefrom when writing replaced memory as a way of preserving poetic utterances, but the ghost of oral poetry never vanishes. [28] Poems may be read silently to oneself, or may be read aloud solo or to other people.