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The drawing was created as part of The Virgin and Child with Saint Anne (1503–1519, Musée du Louvre, n° inv. 776). Leonardo da Vinci was over fifty-five years old [4] when he created the drawing of The Head of the Virgin in Three-Quarter View Facing Right in the years 1508–1510.
Title: Red Horse drawing of cavalry troops on horseback at Little Bighorn, 1881. Contained in: Red Horse pictographic account of the Battle of the Little Bighorn, 1881. Phy. Description: 1 drawing : graphite, colored pencil, and ink ; 61 x 92 cm. Digital Reference: Image Place of creation: United States South Dakota Cheyenne River Agency.
Germany stamp with the painting Blue Horse I, issued in 2012 to celebrate the 100th anniversary of Der Blaue Reiter. Almost the entire height of the portrait-format painting is taken up by a foal painted in blue, facing the viewer and tilting its head slightly to one side. The upper body is light blue with white spots, while the hooves and mane ...
The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm
A similar example from South India is from the late 16th century in Vijayanagar, which is also a combination of an elephant and a horse. It is difficult to ascertain the first Mughal painting of composite art, but several images have been found from the court of Akbar. These paintings were devoid of any colour and were done in pencil.
Georgia O'Keeffe, Drawing No. 2 - Special, charcoal on Fabriano laid paper, 60 x 46.3 cm (23 5/8 x 18 1/4 in.), 1915, National Gallery of Art Charcoal drawings by Georgia O'Keeffe from 1915 represents Georgia O'Keeffe's first major exploration of abstract art and attainment of a freedom to explore her artistic talents based upon what she felt and envisioned. [1]