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Amati instruments at the Metropolitan Museum of Art (New York) Andrea Amati: Violin, c. 1560; Nicolò Amati: Violin, 1669; Amati instruments at the National Music Museum (University of South Dakota): Andrea Amati: "The King", circa 1545, the world's oldest extant cello; Viola, 1560; Violin, 1560; Violin, 1574; Girolamo Amati: Double bass, 1680 ...
Nicola Amati, Nicolò Amati or Nicolao Amati (/ ə ˈ m ɑː t i /, Italian: [niˈkɔːla aˈmaːti, nikoˈlɔ-, nikoˈlaːo-]; 3 September 1596 – 12 April 1684) was an Italian master luthier from Cremona, Italy. Amati is one of the most well-known luthiers from the Casa Amati (House of Amati).
The violin shows influence from Amati and the model is based on Amati's violins, but the narrow purfling differs from Amati's style. [3] c. 1666 The violin was owned by Eugene Sarbu. [4] Aranyi: 1667 Francis Aranyi (collector) Sold at Sotheby's London, 12 November 1986. [5] Dubois: 1667 Canimex Inc. On display at the Chimei Museum. ex-Captain ...
(active c. 1730 – c. 1780) Naples, Italy.Nicolò Gagliano (also known as Nicolo, Nicola or the Latinised Nicolaus) was the eldest son of Alessandro and is generally considered the most famous luthier of the Gagliano family (he is known as Nicolò I to differentiate him from his grandson Nicolò II).
In this case, the violinist and composer Tomaso Antonio Vitali had bought a violin purporting to be a creation of Nicolò Amati, but he discovered that under the Amati label was the label of Francesco Rugeri. There was a price difference in those days of 3 to 1 on Amati vs. Rugeri violins, so this was a serious matter. [14]
Don Nicolò Amati [1] (born Nicolò Marchioni or Nicolò Melchioni; [2] 1662–1752) was an Italian violin maker based in Bologna. In 1687 he entered priesthood. In 1687 he entered priesthood. He pursued both careers, priesthood and violinmaking, throughout his lifetime.