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Queen of the gods, and goddess of women, marriage, childbirth, heirs, kings, and empires. She is the goddess of the sky, the wife and sister of Zeus, and the daughter of Cronus and Rhea. She was usually depicted as a regal woman in the prime of her life, wearing a diadem and veil and holding a lotus-tipped staff.
The Venus de Milo is an over 2 metres (6 ft 7 in) tall [a] Parian marble statue [3] of a Greek goddess, most likely Aphrodite, depicted with a bare torso and drapery over the lower half of her body. [2] The figure stands with her weight on her right leg, and the left leg raised; [6] her head is turned to the left. [7]
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.
Greek goddesses (28 C, 188 P) H. Women of Hades (1 C, 3 P) ... Pages in category "Women in Greek mythology" The following 200 pages are in this category, out of ...
Rhea or Rheia (/ ˈ r iː ə /; [1] Ancient Greek: Ῥέα or Ῥεία [r̥ěː.aː]) is a mother goddess in ancient Greek religion and mythology, the Titan daughter of the earth goddess Gaia and the sky god Uranus, himself a son of Gaia.
Aphrodite (/ ˌ æ f r ə ˈ d aɪ t iː / ⓘ, AF-rə-DY-tee) [a] is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman counterpart Venus, desire, sex, fertility, prosperity, and victory.
Medusa's visage has since been adopted by many women as a symbol of female rage; one of the first publications to express this idea was a feminist journal called Women: A Journal of Liberation in their issue one, volume six for 1978. The cover featured the image of the Gorgon Medusa by Froggi Lupton, which the editors on the inside cover ...
[8] Without drapery, the human body is unintelligible. In Aphrodite of Manophantos, the goddess' genitals are indeed covered, but its precise location and vitality are indicated by the converging drapery folds. Menophantos might be trying to demonstrate how the human form is overpowered, hidden and obscured under expressive lines or bulky drapery.