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A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1]
Monteverdi's 1609 score includes an incomplete listing of the parts. Voice types are indicated by clef markings for each singer's part. These are generally interpretable in terms of soprano, alto, tenor and bass roles.
Concerted madrigal is a madrigal music style in which any number of voices combine with instruments, whether just basso continuo or basso continuo and others. The development of this style was one of the defining features of the beginning of the Baroque musical era.
The lira da braccio (or lyra de bracio [1]) was a European bowed string instrument of the Renaissance.It was used by Italian poet-musicians [2] in court in the 15th and 16th centuries to accompany their improvised recitations of lyric and narrative poetry. [3]
The tuning and narrow range allow the player a number of simple chord shapes useful for both simple song accompaniment and dances, though much more complex music was also written for it. [3] Its bright and cheerful timbre make it a valuable counterpoint to gut-strung instruments. The Spanish bandurria, still used today, is a similar instrument.
The string "courses", unlike those of a Renaissance lute or archlute, were often single, although double stringing was also used. Typically, theorbos have 14 courses, though some used 15 or even 19 courses . This is theorbo tuning in A. Modern theorbo players usually play 14-course (string) instruments (lowest course is G).
String Quartet No. 3 (1983) Sound and Echo (Schall und Hall) for trombone and organ (1983) String Trio (1985, also arranged as Piano Trio, 1992) – shares a theme with the Cello Concerto No. 1 from 1986; Quartet for piano and strings (1988) String Quartet No. 4 (1989) Madrigal in Memoriam Oleg Kagan for solo violin or cello (1990)
An early form of the rebec is also referred to as the rubeba in a 13th century Moravian treatise on music. [7] Medieval sources refer to the instrument by several other names, including kit and the generic term fiddle. [8] A distinguishing feature of the rebec is that the bowl (or body) of the instrument is carved from a solid piece of wood.