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The Apollo's belt, also known as Adonis belt, or iliac furrows, is a part of the human anatomy referring to the two shallow grooves of the human abdomen running from the iliac crest (hip bone) to the pubis. The shape of the grooves are formed by the inguinal ligament. [1]
Adonis is a musical burlesque in two acts with both book and lyrics by William Gill that is a spoof of the Pygmalion myth. [1] Set in Greece, the musical tells the story of a gorgeous male statue of the mythological figure Adonis that comes to life and finds human ways so unpleasant that he chooses to turn back into stone – after spoofing several famous personalities. [2]
Adonis then fled and went into a cave to hide from Zeus, who also loved Erinoma and would surely avenge the violence done against her. Hermes, however, lured him with a trick, as Ares wounded him mortally in the form of a boar. Adonis died, but was eventually restored to life after Aphrodite begged Zeus. Erinoma bore him a son named Taleus. [43 ...
Adonis recruits Tony "Little Duke" Evers, the son of his father's trainer, to train him. Adonis, overwhelmed, rushes into the fight and gets seriously injured, but wins when Viktor is disqualified for punching Adonis when he is down. Adonis, with broken ribs, a ruptured kidney, and a concussion, becomes increasingly distant from Bianca and Mary ...
A homogeneous relation on is called a total relation if for every , there exists some such that is true.. The axiom of dependent choice can be stated as follows: For every nonempty set and every total relation on , there exists a sequence in such that
This presents Zeno's problem not with finding the sum, but rather with finishing a task with an infinite number of steps: how can one ever get from A to B, if an infinite number of (non-instantaneous) events can be identified that need to precede the arrival at B, and one cannot reach even the beginning of a "last event"?
1821 title page, Pisa, Italy. Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (/ ˌ æ d oʊ ˈ n eɪ. ɪ s /) is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. [1]