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The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord , but with gut (sometimes nylon ) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone.
The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
The first movement opens with an andante clarinet solo, a long, lyrical melody that the whole orchestra eventually picks up and expands. The strings begin the allegro section with a scalar passage which seems to accelerate towards an upwards glissando climax, at which point the allegro entry of the solo piano unexpectedly breaks the lyrical mood in an exuberant, harmonically fluid burst of ...
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899; Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945; Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800; Piano Concerto No. 3 (Chopin) (Allegro de ...
As with the lute, the player plucks or strums the strings with the right hand while "fretting" (pressing down) the strings with the left hand. The theorbo is related to the liuto attiorbato , the French théorbe des pièces , the archlute , the German baroque lute, and the angélique (or angelica ).
Piano Concerto No. 7: F major: piano piano piano orchestra 1804 Ludwig van Beethoven: Triple Concerto: C major: violin cello piano orchestra 1933 Bohuslav Martinů: Concertino violin cello piano string orchestra [5] 1938 Gian Francesco Malipiero: Concerto a tre: violin cello piano orchestra 1977 Dmitri Smirnov: Triple Concerto No. 1: saxophone ...
The piano ends the movement with a short, violent "cadenza-esque" passage which moves into the last movement without pause. Many melodic thoughts of this movement allude to Rachmaninoff's second piano concerto, third movement, noticeably the Russian-like E ♭ major melody. The movement ends with tutti chords leading into the 3rd movement attacca.
There is also an arrangement for four-hand piano duet by composer Max Reger. A Karl Richter recording of Concerto No. 2 was sent into space in 1977 on the Voyager Golden Record. [21] In 2001, the piece came in at number 22 in the Classic 100 Original (ABC) listing. In 2007, all six of the concertos appeared on the Classic 100 Concerto (ABC ...