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Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2]
A second form is monochrome silhouette drawing. Images are not created from reservation (paint-free areas) and painted internal detail (as in red-figure vase painting), but from drawn outlines and painted internal detail. This style is used since the end of the 6th century BC, especially on cups, alabastra and lekythoi.
Interior and exterior surfaces including metal, wood, glass, concrete, plaster, and fabric, may be painted with chalk paint. [3] Chalk paint may be applied with a brush, roller, or spray gun. [5] The paint should be applied in thin layers and will typically dry within two hours. [3] A topcoat sealer, such as wax or lacquer, should be applied to ...
The principal methods of this are enamelled glass, essentially a technique for painting patterns or images, used for both glass vessels and on stained glass, and glass paint, typically in black, and silver stain, giving yellows to oranges on stained glass. All of these are fired in a kiln or furnace to fix them, and can be extremely durable ...
Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing. While these media are usually liquids, there are solid and semi-solid media used in the making of paints as well.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
They were the first to paint the new nestoris (see Typology of Greek vase shapes) vase type. Large quantities of Lucanian vases were exported to Apulia. The Dolon Painter may have emigrated there during his career, as his late work reflects an influence by the Apulian Tarporley Painter. Around 370 BC, the workshops in Policoro and Metapontum ...
Mysore painting (Kannada: ಮೈಸೂರು ಚಿತ್ರಕಲೆ) is an important form of classical South Indian painting style that originated in and around the town of Mysore in Karnataka. The painting style was encouraged and nurtured by the Mysore rulers.