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The Apolytikion (Greek: Ἀπολυτίκιον) or Dismissal Hymn is a troparion (a short hymn of one stanza) said or sung at Orthodox Christian worship services. The apolytikion summarizes the feast being celebrated that day. It is chanted at Vespers, Matins and the Divine Liturgy; and it is read at each of the Little Hours.
Old Testament Trinity icon by Andrei Rublev, c. 1400 (Tretyakov Gallery, Moscow). The Trisagion (Greek: Τρισάγιον; 'Thrice Holy'), sometimes called by its incipit Agios O Theos, [1] is a standard hymn of the Divine Liturgy in most of the Eastern Orthodox, Western Orthodox, Oriental Orthodox, and Eastern Catholic churches.
The names ascribed to the eight tones differ in translations into Church Slavonic.The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites [2] (see Hagiopolitan Octoechos) and to the chant treatises and tonaries of Carolingian theorists.
Students of Orthodox chant today often study the history of Byzantine chant in three periods, identified by the names John of Damascus (675/676-749) as the "beginning", John Koukouzeles (c. 1280–1360) as the "flower" (Papadic Octoechos), and Chrysanthos of Madytos (c. 1770-c. 1840) as the master of the living tradition today (Neobyzantine Octoechos).
The Eastern Orthodox Church traditionally does not use any instruments in the liturgy, instead relying entirely on choral music and chanting. Essentially all the words of Orthodox services, except sermons and such, are either chanted or sung by readers and choirs and when possible the congregations.
Greek Orthodox Church (Greek: Ἑλληνορθόδοξη Ἐκκλησία, Ellinorthódoxi Ekklisía, IPA: [elinorˈθoðoksi ekliˈsia]) is a term that can refer to any one of three classes of Christian churches, each associated in some way with Greek Christianity, Levantine Arabic-speaking Christians or more broadly the rite used in the Eastern Roman Empire.
The influences of ancient Greek basin and the Greek Christian chants in the Byzantine music as origin, are confirmed. Music of Turkey was influenced by Byzantine music, too (mainly in the years 1640–1712). [97] Ottoman music is a synthesis, carrying the culture of Greek and Armenian Christian chant. It emerged as the result of a sharing ...
In the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches, a cantor, also called a chanter (Greek: ψάλτης, romanized: psaltes, lit. 'singer'; Church Slavonic: пѣвецъ, romanized: pievets), is a monk or a lay person in minor orders who chants responses and hymns in the services of the church. [8]