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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The Chronicle of Hydatius is the main source for the history of the Suebi in Galicia and Portugal up to 468. Identity and Interaction: the Suevi and the Hispano-Romans, University of Virginia, 2007; Medieval Galician anthroponomy; Minutes of the Councils of Braga and Toledo, in the Collectio Hispana Gallica Augustodunensis
Little is known about the Suebi who crossed the Rhine on the night of 31 December 406 AD and entered the Roman Empire. It is speculated that these Suevi are the same group as the Quadi, who are mentioned in early writings as living north of the middle Danube, in what is now lower Austria and western Slovakia, [3] [4] and who played an important part in the Germanic Wars of the 2nd century ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
Generally, works of music theory are both descriptive and prescriptive, attempting both to define practice and to influence later practice. Musicians study music theory to understand the structural relationships in the (nearly always notated) music. Composers study music theory to understand how to produce effects and structure their own works.
A century later, the differences between Gallaeci and Suebi people had faded, which led to the systematic use of terms like Galliciense Regnum [7] (Galician Kingdom), Regem Galliciae [8] (King of Galicia), Rege Suevorum (King of Suebi), and Galleciae totius provinciae rex (king of all Galician provinces), [9] while bishops, such as Martin of ...
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Die Musik in Geschichte und Gegenwart , it is one of the largest reference works on the history and theory of music .