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Pramuka may refer to: Gerakan Pramuka Indonesia, an Indonesian scout movement; ... Indian Hindu saint Pramukh Swami Medical College, Karamsad, Gujarat, India;
Fragment of Hindu god Vishnu discovered in Batujaya archaeological site, West Java. Purnawarman probably is the most well-known king of Tarumanagara because he produced quite a number of well documented inscriptions. The records about Tarumanagara's later kings were scarce and obscure, most were known from later manuscripts and local traditions.
The Sultanate of Aceh, officially the Kingdom of Aceh Darussalam (Acehnese: Acèh Darussalam; Jawoë: اچيه دارالسلام ), was a sultanate centered in the modern-day Indonesian province of Aceh. It was a major regional power in the 16th and 17th centuries, before experiencing a long period of decline.
Due to conflict after the Dutch invasion of Aceh, followed by Martial Law in Aceh during the attempt to break away from Indonesia, and the 2004 Indian Ocean earthquake, many Acehnese fled abroad. The most significant number of Acehnese can be found in Malaysia [ 47 ] [ 48 ] and Scandinavian countries, especially Sweden and Norway [ 49 ] countries.
Purnawarman or Purnavarman was the 5th-century king of Tarumanagara, a Hindu Indianized kingdom, located in modern-day West Java, Jakarta and Banten provinces, Indonesia. [1] Purnawarman reigned during the 5th century, and during his reign he created several stone inscriptions.
The Hikayat Aceh described Iskandar Muda as a scion of the lineage (nasab) and race (bangsa) of Iskandar Zulkarnain, Alexander the Great. Through this statement, the hikayat presented Aceh as a part of the Malay world, since Iskandar Zulkarnain was the purported ancestor of the Melaka , Johor , Perak and Pahang rulers.
Pramuka Garuda was created in 1980 with purpose of stimulating interest in youth to join Gerakan Pramuka. The Pramuka Garuda rank is based on the decree of Pramuka Garuda by the National Council No:045 for 1980. In 1984, the decree was revised, and replaced by the decree No:101 for 1984.
The statues of Hindu gods and Buddhist deities in Majapahit art were also the continuations of its previous Singhasari art. The statues of East Javanese period tends to be a stiffer and frontal-formal pose, compared to the statues of Central Javanese art (c. 9th century) that are more Indianized style, relaxed in tribhanga pose.