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Other such accounts of "heinous murderers" in which impalement is a prominent element include cases in 1504 and 1519, [76] the murderer nicknamed Puschpeter executed in 1575 for killing thirty people, including six pregnant women whose unborn children he ate in the hope of thereby acquiring invisibility, [77] the head of the Pappenheimer family ...
Arms of women were usually depicted on lozenges. Here, her family arms are impaled with those of her husband, John IV, Count of Nassau-Siegen. Due to the differing role of women in past society, special rules grew relating to the blazoning of arms for women. The rules for women and heraldry developed differently from place to place and there is ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 26 February 2025. Medieval punishment for high treason The execution of Hugh Despenser the Younger, as depicted in the Froissart of Louis of Gruuthuse To be hanged, drawn and quartered was a method of torturous capital punishment used principally to execute men convicted of high treason in medieval and ...
The use of impalement in myth, art, and literature includes mythical representations of it as a method of execution and other uses in paintings, sculptures, and the like, folklore and other tales in which impalement is related to magical or supernatural properties, and the use of simulated impalement for the purposes of entertainment.
Pages in category "Medieval instruments of torture" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes. A.
Medieval art is colorful, creative, quirky, stylized, and goofy. The results are often incredibly bizarre but undeniably entertaining. The post ‘Weird Medieval Guys’: 50 Amusing And Confusing ...
The 17th-century perjurer Titus Oates in a pillory. The pillory is a device made of a wooden or metal framework erected on a post, with holes for securing the head and hands, used during the medieval and renaissance periods for punishment by public humiliation and often further physical abuse. [1]
Fifteenth-century breast ripper in a torture museum, Freiburg im Breisgau, Baden-Württemberg, Germany. The breast ripper, known in another form as the Iron Spider or simply the Spider, was supposedly a torture instrument used on women, usually who were accused of an array of negative attributes decided by male inquisitors.