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Roderigo, a wealthy Venetian, is manipulated into funding the antagonist Iago's plot against Othello in the hopeless belief that Iago will aid him in courting Othello's wife Desdemona. In the later acts, Iago recruits Roderigo to assassinate Othello's former lieutenant Michael Cassio , though he is killed by Iago when he fails in his attempt to ...
Roderigo attacks Cassio by surprise. Cassio retaliates and mortally wounds Roderigo, but is himself stabbed from behind by Iago. His leg is wounded, but he survives. Iago then kills the wounded Roderigo. Before Othello commits suicide, he apologizes to Cassio for believing Iago's lies about him.
Iago hates Othello for promoting an aristocrat named Cassio above him, whom Iago considers a less capable soldier than himself. Iago tells Roderigo that he plans to exploit Othello for his own advantage and convinces Roderigo to wake Brabantio and tell him about his daughter's elopement. Meanwhile, Iago sneaks away to find Othello and warns him ...
Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo, who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona ...
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
The actor — who died at his home in Dutchess County, New York on Monday, Sept. 9 at the age of 93 — began his nearly seven-decade career on stage, playing Othello at the Ramsdell Theatre in ...
Roderigo is a gentleman suitor to Desdemona in Othello. He is gulled by Iago throughout the play, and eventually Iago murders him. Roman: A Roman (named Ninacor) encounters the Volsce, Adrian, with news that Coriolanus is banished from Rome, in Coriolanus. Three Romans, with pillage, appear briefly in Coriolanus.
She notes Roderigo's description of Othello having "thick lips" was a racial stereotype used by 16th century explorers for Sub-Saharan Africans. [8] Modern-day readers and theatre directors lean away from a North African Moorish interpretation [ 9 ] but Shakespeare's textual references are unclear.