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A flashback, or involuntary recurrent memory, is a psychological phenomenon in which an individual has a sudden, usually powerful, ...
Flashback (Trojan), computer malware that infects computers running Mac OS X Atari Flashback series, a line of video-game consoles that emulate 1980s-era Atari games; Oracle Flashback, a means of retrieving data as it existed in an Oracle database at an earlier time
A flashback, more formally known as analepsis, is an interjected scene that takes the narrative back in time from the current point in the story. [1] Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. [2]
There appear to be at least three different contexts within which involuntary memory arises, as described by J.H. Mace in his book Involuntary Memory. [2] These include those that occur in everyday life, those that occur during the processes of voluntary and involuntary recall, [3] and those that occur as part of a psychiatric syndrome.
Commentators [5] [6] note that near-death experiencers undergo a life review in which the meaning of their life is presented to them, but also how their life affected other people, as well as an awareness of the thoughts and feelings of these people.
The seminal 1950 Japanese film Rashomon, based on the Japanese short story "In a Grove" (1921), utilizes the flashback-within-a-flashback technique. The story unfolds in flashback as the four witnesses in the story—the bandit, the murdered samurai, his wife, and the nameless woodcutter—recount the events of one afternoon in a grove. But it ...
The first instance of this was a major plot twist in the third season finale: what appeared to be a flashback to before the characters were stranded on the island, was revealed at the end of the two-part episode to be a flashforward of them returned to civilization.
Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line.