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Oxygen (branded on air as Oxygen True Crime) is an American cable and digital multicast television network owned by the NBCUniversal Media Group unit of NBCUniversal, a division of Comcast.
Nocturne is a 1999 action-adventure survival horror video game set in the late 1920s and early 1930s – the Prohibition and Great Depression era. The player takes the part of The Stranger (voiced by Lynn Mathis), [4] an operative of a fictional American Government secret organization known as "Spookhouse", which was created by President Theodore Roosevelt to fight monsters.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Nocturne is the debut studio album by American metal band The Human Abstract. It was recorded at The Basement in Rural Hall , North Carolina and Trax East in South River , New Jersey . On the band's MySpace page, as well as in the Metal=Life compilation CD, the last 30 or so seconds of "Desiderata" are included as part of the intro to "Vela ...
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TV Links used hyperlinks and later a streaming web-based video player, in order to link visitors to videos. The website had a forum community with a membership of approximately 37,000 members at the time of closure. [11] Links to videos were posted daily on the forums by members and later moved to the website listings by admins. [12] [13]
Castlevania: Nocturne is an American adult animated dark fantasy action television series created and written by Clive Bradley and led by producer Kevin Kolde for Netflix. A sequel to the Castlevania animated series , it is based on the video game series of the same name by Konami and adapted from the 1993 entry Castlevania: Rondo of Blood and ...
To some, these nocturnes are not as impressive as their predecessors, the Nocturnes, Op. 27. [2] While each piece "exemplifies one of the composer's various approaches to nocturne form," Blair Johnson felt that, in the piece, the "moments of originality and power stick out in a way that they couldn't have, had the entirety of the pieces been sewn of finer silk."