Search results
Results From The WOW.Com Content Network
The Weekly Top 40 debuted in September 1983, after Rick's then-station, KIIS-FM, lost American Top 40 to a rival station, KIQQ (now KKLQ) over the playing of network commercials. [1] KIIS-FM re-obtained the rights to carry AT40 in 1988, after Shadoe Stevens took over as host.) [ 2 ] Initially syndicated by United Stations , the show was ...
Renamed Dance/Mix Show Airplay chart on November 19, 2011. The chart now includes the 157 Mainstream Top 40 and 67 Rhythmic Top 40 reporters that features mix shows in their programming. Expanded to 40 positions, effective with the December 6, 2014 issue. Dance/Electronic Digital Song Sales: digital sales 50
With the show's revival in 1998, a new chart was implemented, the top 40 portion of Radio and Records CHR/Pop top 50 chart, which was already in use on Casey's Top 40. This chart used a recurrent rule that removed songs below No. 25 that had exceeded 26 weeks in the top 50; these removals, if they occurred in the top 40, would be reflected on ...
The company opens with “The Play That Goes Wrong” (Sept. 5-22), “Charlie and the Chocolate Factory” (Dec. 13-22) and “The Drowsy Chaperone” (Feb. 28-March 9).
This is a list of recording artists who have reached number one on Billboard magazine's Pop Airplay chart (previously known as Mainstream Top 40, Pop Songs, and Top 40/CHR). Taylor Swift has the record for the most number-one songs with 13.
The Radio Songs chart (previously named Hot 100 Airplay until 2014 [1] and Top 40 Radio Monitor until 1991) [2] is released weekly by Billboard magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres.
American Top 40 attracts over 20 million listeners per week. [6] The late Rush Limbaugh's show was the number-one commercial talk show from 1991 until Limbaugh's death in February 2021. [14] NPR's Morning Edition and All Things Considered are the two most popular news programs. [15]
Both versions of American Top 20 had their roots in two other countdowns done by Kasem during his time with the Westwood One Radio Network. In 1992, Westwood One decided to launch a new adult contemporary countdown using the airplay survey data compiled by Radio & Records, the music trade newspaper that at the time was a subsidiary of the company and was already providing information to Kasem ...