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Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [ 3 ] [ 2 ] Three-dimensional muqarnas was often also carved in stucco, [ 24 ] [ 7 ] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
In the western Islamic world, muqarnas decoration was definitively introduced during the reign of the Almoravid emir Ali ibn Yusuf. [ 1 ] [ 36 ] The earliest examples, although limited to small details of larger domes, are found in the Almoravid Qubba in Marrakesh , Morocco, built probably in 1117 or 1125, [ 36 ] [ 37 ] and in the stucco ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The Jaffari Community Centre (JCC) is a Shia Islam husayniyya and community centre, located in the Thornhill district, in the Greater Toronto area of Ontario, Canada. In addition to the prayer hall, the centre contains a library, cafe, gym, several banquet halls, and school, and primarily serves as a mosque. [2]
Oldest mosque of the Ahmadiyya Muslim Community in its eastern GTA and serves as the local mosque for the local chapter of Toronto East. [30] Islamic Foundation: Toronto: Ontario: 1969 S First purpose-built mosque in Canada Ismaili Centre: Toronto: Ontario: 2010 SH [31] Jame Abu Bakr Siddique: Toronto: Ontario: 1970s S [32] Jami Mosque: Toronto ...
The Ismaili Centre, Toronto is a Shia Ismaili Jama'at Khana and community centre, located in Toronto, Ontario, Canada. Completed in 2010, it is the sixth Ismaili Centre in the world. Situated in a park that it shares with the Aga Khan Museum adjacent to the Don Valley Parkway in North York , the Centre represents the permanent presence of the ...
[67] [68] [3] The three types (Styles A, B, and C) of stucco decoration best exemplified, and perhaps developed, in Abbasid Samarra were quickly imitated elsewhere and Style C, which itself remained common in the Islamic world for centuries, was an important precursor to fully developed arabesque decoration.
Both the wood and the stucco are carved with calligraphic decoration and with a variable repertoire of geometric, arabesque, and floral/vegetal patterns. [3] A rectangular marble panel carved with a foundation inscription of the building was originally set into the northwestern wall of the courtyard (opposite the mihrab and the prayer room). [3]