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The play closely follows the poem, not just in its sequence of events but also in much of its wording, making the Pārvatīparinaya appear as an effort to adapt an epic poem into a play. However, the play modifies certain elements of Kalidasa's plot, often adding details that evoke familiar features of well-known Sanskrit dramas. [10]
Eminent Sanskrit poets like Bāṇabhaṭṭa, Jayadeva and Rajasekhara have lavished praise on Kālidāsa in their tributes. A well-known Sanskrit verse ("Upamā Kālidāsasya...") praises his skill at upamā, or similes. Anandavardhana, a highly revered critic, considered Kālidāsa to be one of the greatest Sanskrit poets. Of the hundreds of ...
Meghadūta (Sanskrit: मेघदूत literally Cloud Messenger) [1] is a lyric poem written by Kālidāsa (c. 4th–5th century CE), considered to be one of the greatest Sanskrit poets. It describes how a yakṣa (or nature spirit), who had been banished by his master to a remote region for a year, asked a cloud to take a message of love to ...
Raghuvaṃśa (Devanagari: रघुवंशम्, lit. 'lineage of Raghu') is a Sanskrit epic poem by the celebrated Sanskrit poet Kalidasa.Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. [1]
Palm-leaf manuscript cover illustrated with scenes from Kalidasa’s Shakuntala play, Kathmandu Valley, Nepal, circa 12th century. Plots similar to the play appear in earlier texts. There is a story mentioned in the Mahābhārata. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a ...
While the poem is often attributed to Kalidasa, modern scholars disagree with this traditional attribution. According to Siegfried Lienhard "the Ṛtusaṃhāra is almost certainly the work of some poet whose name has not come down to us and was probably written sometime between Asvaghosa (about 100 A.D.) and Kalidasa (4th to 5th century)." [3]
The Amaruśataka or Amarukaśataka (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7th [1] or 8th century. [2] The Amaruśataka ranks as one of the finest lyrical poetry in the annals of Sanskrit literature, ranking with Kalidasa and Bhartṛhari 's ...
Mani Rao has authored twelve poetry collections and three books in translation from Sanskrit including the works of Kalidasa, a translation of the Bhagavad Gita as a poem, [1] and a translation of the tantric hymn Saundarya Lahari, besides an anthropological study of mantra-practice called "Living Mantra: Mantra, Deity and Visionary Experience Today."