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"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is possibly the most sung and most recorded hymn in the world, and especially popular in the United States, where it is used for both religious and secular purposes. [1] [2] [3]
The Rev. John Newton's hymn "Amazing Grace" has become a national hymn, uniting people of all walks of life and reflecting the Christian view of man as a fallen creature who can do nothing to save ...
The vicarage in Olney, [21] where Newton wrote the hymn that would become "Amazing Grace". [22] In 1767, William Cowper, the poet, moved to Olney. He worshipped in Newton's church, and collaborated with the priest on a volume of hymns; it was published as Olney Hymns in 1779. This work had a great influence on English hymnology.
The new names were based on the text; thus "New Britain" became "Amazing Grace", "Northfield" became "How Long, Dear Savior", and so on. The old system was intended in colonial times to permit mixing and matching of tunes and texts, but was unnecessary in a system where the pairing of tune and text was fixed. He transposed some songs into new keys.
New Britain is a hymn tune which was first published under other names in the early 19th century, including St Mary's, Gallaher, Symphony, Harmony Grove and Solon. In 1835, it was paired with the lyrics of John Newton's hymn "Amazing Grace" in William Walker's The Southern Harmony, and Musical Companion. This sold over 600,000 copies in ...
As hymn-singing gained popularity in the nineteenth century, many (around 25) of the hymns were reproduced in other hymn-books and pamphlets. Today around six of the original 348 Olney Hymns regularly feature in modern church worship, the most famous of which is " Amazing Grace ".
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.
Amazing grace, how sweet the sound that saved a wretch like me. I once was lost, but now am found, was blind, but now I see. To put it more technically, such hymns have couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. If one counted all syllables, not just stressed syllables, such hymns ...