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"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is possibly the most sung and most recorded hymn in the world, and especially popular in the United States, where it is used for both religious and secular purposes. [1] [2] [3]
The Rev. John Newton's hymn "Amazing Grace" has become a national hymn, uniting people of all walks of life and reflecting the Christian view of man as a fallen creature who can do nothing to save ...
The vicarage in Olney, [21] where Newton wrote the hymn that would become "Amazing Grace". [22] In 1767, William Cowper, the poet, moved to Olney. He worshipped in Newton's church, and collaborated with the priest on a volume of hymns; it was published as Olney Hymns in 1779. This work had a great influence on English hymnology.
New Britain is a hymn tune which was first published under other names in the early 19th century, including St Mary's, Gallaher, Symphony, Harmony Grove and Solon. In 1835, it was paired with the lyrics of John Newton's hymn "Amazing Grace" in William Walker's The Southern Harmony, and Musical Companion. This sold over 600,000 copies in ...
Writing for Allmusic, critic Jason Ankeny wrote that the album is "simply too brief to stand as a definitive collection of the guitarist's spiritual recordings; his instrumental work is impeccable of course, but performances of favorites like "Amazing Grace," "Just a Closer Walk with Thee" and "The Old Rugged Cross" pass by too quickly to properly whet the listener's appetite."
As hymn-singing gained popularity in the nineteenth century, many (around 25) of the hymns were reproduced in other hymn-books and pamphlets. Today around six of the original 348 Olney Hymns regularly feature in modern church worship, the most famous of which is " Amazing Grace ".
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.
Hymns and sacred songs were often performed in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand–clapping and foot–stomping as rhythmic accompaniment. Most of the singing was done a cappella. [2] The first published use of the term "gospel song" appeared in 1874.