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"O, Death" has appeared twice in American television series Supernatural, both times in connection with the show's personification of Death, portrayed by Julian Richings: the 2010 episode "Two Minutes to Midnight" featured a version by Jen Titus; Lisa Berry performed the song in character as Billie in the 2015 episode "Form and Void".
"Don't Call Me Shurley" is the twentieth episode of the paranormal drama television series Supernatural ' s season 11, and the 238th overall. The episode was written by co-executive producer Robbie Thompson and directed by executive consultant Robert Singer .
According to the sheet music published at Musicnotes.com by T C F Music Publishing, Inc., "Kissing You" is set in 12/8 time with a moderately slow tempo of 112 beats per minute. Written in the key of A minor, it has a sequence of Dm 7 –Am 7 –G/B–C–G/B–Am 7 –C/G as its chord progression.
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White also recorded the song as "Fare Thee Well" in 1945. It appeared on his first album, Songs by Josh White, for Asch Records (A 348). (Asch Records was the predecessor of Folkways Records). Like the rest of the songs on the album, it was performed solo, with guitar. White re-recorded the song at least once later in his career, as "Dink's Blues".
In darkness let me dwell; the ground shall sorrow be, The roof despair, to bar all cheerful light from me; The walls of marble black, that moist'ned still shall weep; My music, hellish jarring sounds, to banish friendly sleep. Thus, wedded to my woes, and bedded in my tomb, O let me living die, till death doth come, till death doth come.
"Let Me Be" is a song by the American rock band the Turtles. It was released in 1965 as the band's second single, following their successful cover of Bob Dylan's "It Ain't Me Babe". [5] In the United States, the single peaked at number 29 on the Billboard Hot 100 in November 1965. [6] It reached number 14 on Canada's RPM chart. [7]
Innes's inspiration for the song was the title of a story in an old American pulp fiction crime magazine he came across at a street market. [1] Stanshall's primary contribution was to shape "Death Cab for Cutie" as a parody of Elvis Presley (notably Presley's 1957 hit "(Let Me Be Your) Teddy Bear"), and he sang it as such, with undertones of 1950s doo-wop.