Search results
Results From The WOW.Com Content Network
Sometimes libations were accompanied by hymns in spondaic rhythm, as in the following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: Ζεῦ πάντων ἀρχά, πάντων ἀγήτωρ, Ζεῦ, σοὶ σπένδω ταύτᾱν ὕμνων ἀρχάν. Zeû pántōn arkhá, pántōn āgḗtōr,
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Mostly these consist of either a dactylic hexameter or an iambic trimeter, followed by an "epode", which is a shorter line either iambic or dactylic in character, or a mixture of these. The first or second line can also end with an ithyphallic colon (– ᴗ – ᴗ – x). [9] For examples of such epodic strophes see: Archilochian; Alcmanian
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The fifth foot in Greek hexameters is nearly always a dactyl; in Homer only 1 line in 18 has a spondaic fifth foot. [9] Because the final syllable in a line is long by position, the last foot is always a spondee. Often there is a slight pause in the line, known as a caesura, in the middle of the third foot, as in lines 1, 5, and 6 above ...
Several other similar laws or tendencies, such as (a) Knox's Iamb Bridge (stating that an iambic word, i.e. a word of shape u –, tends to be avoided in positions 9 and 10 in the iambic trimeter), (b) Wilamowitz's Bridge (stating that a spondaic word, of shape – –, is avoided in the same position), (c) Knox's Trochee Bridge (stating that a ...
Spondaic tetrameter: Long sounds move slow; Pyrrhic tetrameter (with spondees ["white breast" and "dim sea"]): And the white breast of the dim sea; Amphibrachic tetrameter: And, speaking of birds, there's the Russian Palooski, / Whose headski is redski and belly is blueski.
Here an iambic trimeter forms the first line of the couplet, and the positions of the iambic dimeter and hemiepes are reversed to form the second line, the hemiepes now coming before the iambic dimeter. The hemiepes still functions as if it were independent, retaining the pause of a line-end through brevis in longo or hiatus. An example has ...