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The Patrician Torlonia bust thought to be of Cato the Elder. Bust No. 535 of the Torlonia Collection, also called the Patrician Torlonia, is a marble bust, [1] sometimes said to portray Marcus Porcius Cato Censorius, though also noted as being of "an unknown Roman politician". [2]
The Patrician Torlonia bust, believed to be of Cato the Elder. 1st century BC The Orator , c. 100 BC , an Etrusco-Roman bronze statue depicting Aule Metele (Latin: Aulus Metellus), an Etruscan man wearing a Roman toga while engaged in rhetoric ; the statue features an inscription in the Etruscan alphabet
Statue of Hestia Giustiniani (5th century BC), part of the collection The Torlonia Museum ( Italian : Museo Torlonia ; not identical with the Villa Torlonia on the Via Nomentana [ 1 ] ) was a museum in Rome , which housed the Torlonia Collection ( Collezione Torlonia ) of ancient sculptures.
A typical work might be one like the standing figure "A Roman Patrician with Busts of His Ancestors" (c. 30 B.C.). [ 2 ] By the imperial age, though they were often realistic depictions of human anatomy, portrait sculpture of Roman emperors were often used for propaganda purposes and included ideological messages in the pose, accoutrements, or ...
In 1816, 269 statues from the collection assembled by the 17th-century art collector and aristocrat Vincenzo Giustiniani (1564–1637), were transferred to Giovannia Torlonia as collateral on a loan. After 1825, following Prince Vincenzo Giustiniani's failure to uphold the terms of his agreement, the Torlonias entered into a long legal dispute ...
The theatre at Tusculum. Cato the Elder was born in the municipal town of Tusculum, like some generations of his ancestors.His father had earned a reputation as a brave soldier, and his great-grandfather had received a reward from the state for having had five horses killed under him in battle.
Breaking down the legend of the head statues, or the Testa Di Moro, in Season Two of "The White Lotus," and what they all mean.
After this initial distinction, however, the divide between patrician and plebeian families was strictly hereditary, based on social status. [2] The toga and calceus, shown here on a statue restored with the head of Nerva, was the distinctive garb of Roman male citizens.