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In the film and media industry, if a film released in theatres fails to break even by a large amount, it is considered a box-office bomb (or box-office flop), thus losing money for the distributor, studio, and/or production company that invested in it. Due to the secrecy surrounding costs and profit margins in the film industry, figures of ...
3. ‘Man on the Moon’ Worldwide box office: $47.4 million From a financial standpoint, the 1999 film “Man on the Moon,” starring Jim Carrey and Danny DeVito, was a disaster.
The Great Wall (simplified Chinese: 长城; traditional Chinese: 長城) is a 2016 monster film directed by Zhang Yimou, with a screenplay by Carlo Bernard, Doug Miro and Tony Gilroy, from a story by Max Brooks, Edward Zwick and Marshall Herskovitz.
It is unclear which sound-era production superseded it as the most expensive film, although this is commonly attributed to Hell's Angels (1930), directed by Howard Hughes; the accounts for Hell's Angels show it cost $2.8 million, but Hughes publicised it as costing $4 million, selling it to the media as the most expensive film ever made. [214]
From the iconic intergalactic Star Wars franchise to Marvel's Avengers, these are the most expensive movies of all time (so far) in Hollywood.
Clockers (1995) Spike Lee’s Clockers ranks as one of the director’s most disappointing performances at the box office to date, taking just $13m (£10m) from a $25m (£18.7m) budget.. Deepwater ...
List of most expensive non-English-language films Title Country Primary language(s) Year Production costs (est.) The Battle at Lake Changjin: China Mandarin 2021 $200,000,000 [3] Monster Hunt 2: China Mandarin 2018 $143,000,000 [4] Detective Chinatown 3: China Mandarin 2021 $117,000,000 [5] Asterix at the Olympic Games: France French 2008 ...
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...