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A modern interpretation of a bison from the Altamira cave ceiling, one of the cave's most famous paintings. Some of the polychrome paintings at Altamira Cave are well known in Spanish popular culture. The logo used by the autonomous government of Cantabria to promote tourism to the region is based on one of the bisons in this cave.
Map of Paleolithic cave art sites in the Franco-Cantabrian region.. The Cave of Altamira and Paleolithic Cave Art of Northern Spain (Cueva de Altamira y arte rupestre paleolítico del Norte de España) is a grouping of 18 caves of northern Spain, which together represent the apogee of Upper Paleolithic cave art in Europe between 35,000 and 11,000 years ago (Aurignacian, Gravettian, Solutrean ...
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Due to the supreme artistic quality, and the exceptional state of conservation of the paintings, Sautuola was even accused of forgery. A fellow countryman maintained that the paintings had been produced by a contemporary artist, on Sautuola's orders. [3] [4] María Sanz de Sautuola, the discoverer of the Altamira paintings
Bison painting (replica) from the Cave of Altamira, dated to the Magdalenian. The animals depicted are prey sought by the Paleolithic hunters, such as reindeer, [20] horses, [21] bisons, [22] mammoth, [23] the woolly rhinoceros, [24] and birds, [clarification needed] [25] as well as apex predators such as lions [26] panthers or leopards, [27 ...
If you're heading over to the Lake Worth Beach Street Painting Festival this Saturday, Feb. 24, or Sunday, Feb. 25, get ready for incredible works of art as more than 600 chalk artists will turn ...
Cave of Altamira and Paleolithic Cave Art of Northern Spain. The Cave of Altamira is located near Santillana del Mar.This cave, called the "Sistine Chapel of Quaternary", is relatively small (270 m (890 ft)) and contains the rock paintings of sixteen bison, several depictions of deer, the largest of which is 2.25 m (7.4 ft) tall and of horses.
A bison in Altamira. When Marcelino Sanz de Sautuola's daughter María discovered the paintings in Altamira and Sautuola, together with professor Vilanova, published their findings in 1880, Cartailhac was one of the leaders of the scientists who, suddenly facing a revolutionary change in the view of the prehistoric man, ridiculed these paintings at the 1880 Prehistorical Congress in Lisbon.