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35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
The KS1870 perforation, or KS perforation with a pitch of 0.1870", is the modern standard for release prints as well as for 135 still camera film. 65/70 mm, the other "professional" standard, was created many years after KS perforations had been recommended for negative as well as positive applications, and was adopted for positive applications.
The majority of 35 mm film systems, cameras, telecine equipment, optical printers, or projectors, are configured to accommodate the 4-perf system; each frame of 35 mm is 4 perforations long. 4-perf was (and remains) the traditional system, and the majority of projectors are based on 4-perf, because 4 perforations is the amount needed per frame vertically in order to have enough negative space ...
The Academy ratio of 1.375:1 (abbreviated as 1.37:1) is an aspect ratio of a frame of 35 mm film when used with 4-perf pulldown. [ 1 ] [ 2 ] It was standardized by the Academy of Motion Picture Arts and Sciences as the standard film aspect ratio in 1932, although similar-sized ratios were used as early as 1928.
pin wheel perforation spherical Kinetoscope cylinder: Wm. Dickson & T. Edison: 1889 or 1890 Monkeyshines, No. 1: strip rolled around a cylinder unperforated spherical spherical Kinesigraph: Wordsworth Donisthorpe: 1890 or 1891 view of Trafalgar Square: 70 mm 1.00 unperforated spherical Friese-Greene: Wm. Friese-Greene: 1891 King's Road, Chelsea ...
A Techniscope camera film frame. Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. [1] The Techniscope format uses a two film-perforation negative pulldown per frame, instead of the standard four-perforation frame usually exposed in 35 mm film photography.
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35mm film began to become the dominant gauge because of the commonality of Edison's and Lumière's cameras. Consumers usually purchased unperforated film and had to punch it by perforators that were often imprecise, causing difficulty in making prints for the opposite perforation format. In 1908, the perforators began to be made by Bell and ...