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The family includes three faces: FreeMono, FreeSans, and FreeSerif, each in four styles (Regular, Italic/Oblique, Bold, and Bold Italic/Oblique). The fonts are licensed under the GPL-3.0-or-later license with the Font-exception-2.0 , ensuring they may be both freely distributed and embedded or otherwise utilized within a document without the ...
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
Open Sans is an open source humanist sans-serif typeface that was designed by Steve Matteson under commission from Google.It was released in 2011 and is based on his earlier design called Droid Sans, which was specifically created for Android mobile devices but with slight modifications to its width.
The "Included from" column indicates the first edition of Windows in which the font was included. ... Regular, Bold, Italic, Bold Italic: Thai: ... Ink Free [6] Display:
Fallback font (freeware fallback font for Windows) Free UCS Outline Fonts aka FreeFont (free/open source, "FreeSerif" includes 3,914 glyphs in v1.52, MES-1 compliant) Gentium (free/open source, "Gentium Plus" includes over 5,500 glyphs in November 2010) GNU Unifont (free/open source, bitmapped glyphs are inclusive as defined in unicode-5.1 only)
This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts). For fonts shipped only with Mac OS X 10.5, please see Apple's documentation.
The version donated consisted of the Roman (Regular), Italic, Bold, and Bold Italic versions of the typeface, differently from the commercial version offered as part of the Adobe Originals Pack. [8] On November 17, 2006, Karl Berry , the TeX Users Group President, gave irrevocable permissions of the font to any third party and it constitutes ...
Italic typefaces did not exist in Jenson's time, and so the inspiration for Centaur's italic comes from thirty years later, in the calligraphy and printing of Ludovico Vicentino degli Arrighi. [6] Arrighi was a Rome-based calligrapher who made the transition to working in printing, releasing a writing manual, La operina… , and other printed ...