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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Auspicious symbols and motifs continue to be used in present-day China in industries, such as home textiles and clothing; they are also used in modern design packaging and interior design. [5] Some of these Chinese auspicious ornaments were also adopted by European countries during the era of Chinoiserie, where they became decorative patterns ...
Han dynasty Chinese talisman, part of the Wucheng Bamboo-slips []. Scholarly research into the history of Taoist symbolism has always been a particular challenge, because historically, Taoist priests have often used abstruse, obscure imagery writing to express their thoughts, meaning that a path to their successful decipherment and interpretation isn't always readily found in primary sources. [9]
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
Qi: Also commonly spelled ch'i, chi or ki, is a fundamental concept of everyday Chinese culture, most often defined as "air" or "breath" (for example, the colloquial Mandarin Chinese term for "weather" is tiān qi, or the "breath of heaven") and, by extension, "life force" or "spiritual energy" that is part of everything that exists.
The Double Lozenges (方勝/方胜, "Fāngshèng") symbolises happiness in marriage and counteracts maleficent influences. The Stone Chime (磬, "Qìng") symbolises a just and upright life. The pair of Rhinoceros Horns (犀角, Xījiǎo ) symbolises happiness.
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"Spirit Resonance" (qiyun 气韵) or vitality (shengdong 生动), and seems to translate to the nervous energy transmitted from the artist into the work. The overall energy of a work of art. Xie He said that without Spirit Resonance, there was no need to look further. "Bone Method" (gufa 骨法) or the way of using the brush (yongbi 用笔 ...