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In a revue of Isermann's 1994 retrospective of hand made objects including, a clock, a lamp, stained glass, shag rugs, and more Lisa Anne Auerbach writes, "Though these pieces border on craft, their high quality, size, and careful fabrication gives them an industrial air. Untitled, 1989, is an eight-foot-square wall-piece, half painting and ...
This new rya had shorter piles and closer rows of knots, which made the rug lighter. [3] Additionally, the pile side now faced up to display the design. [3] Motifs from cross-stitch samplers were incorporated into the rya if foreign Baroque fabric was not available to copy. [3] The new rya concept spread from southern Sweden to northern Sweden. [3]
Rya rugs, for example, are woven with a combination of techniques that include weaving tapestry, needlework, and carpet knots. [6] Traditionally, Scandinavian Rya rugs were hand-made by artisans who would add symmetric Turkish (or Ghiordes) knots directly to the warp through a specially woven backing. Small holes in the weave allowed the rug ...
A portion of the Karagheusian Rug Mill as it stood, long abandoned, in Freehold in 1990. The faded "Gulistan" name can be seen in the center. A. & M. Karagheusian, Inc. was a rug manufacturer headquartered at 295 Fifth Avenue in Manhattan. Manufacturing was located in Freehold Borough, New Jersey and operated for 60 years before closing in 1964 ...
Sarouk rugs have been produced for much of the twentieth century. The early successes of the Sarouk rug are largely owed to the American market. From the 1910s to 1950s, the "American Sarouk", also known as the "painted Sarouk", was produced. American customers had an affinity for the Sarouk's curvilinear and floral designs. What they did not ...
In New York, most of these stores were run by Armenian immigrants and concentrated in lower and mid-town Manhattan. ... J.K. Mumford: Oriental Rugs, New York, 1901 ...
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