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G♯ (G-sharp) or sol dièse is the ninth semitone of the solfège.In the German pitch nomenclature, it is known as gis. [1]It lies a chromatic semitone above G and a diatonic semitone below A, thus being enharmonic to la bémol or A ♭ (A-flat).
Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
The G-Sharp is tuned accordingly, and the standard tuning is identical to putting a capo on the 4th fret on a regular guitar: G#-D#-B-F#-C#-G# As G# and A♭ is the same musical note it would be correct to say that it is an A-flat instrument, but naming his guitar and his company Fjeld chose to ignore this fact, and it is not mentioned anywhere.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
G-sharp, G ♯ or G# may refer to: G-sharp minor, a musical key; G-sharp major, a musical key; G♯ (musical note) Granville Sharp, an eighteenth-century abolitionist;
(The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor). The G-sharp natural minor scale is: Audio playback is not supported in your browser.
In this example sound, a common element, is excluded, while gesture, a less common element, is given primacy. However Nattiez goes on to say that despite special cases where sound is not immediately obvious (because it is heard in the mind): "sound is a minimal condition of the musical fact". [22]